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Showing posts with label Cindi Moynahan-Foreman. Show all posts
Showing posts with label Cindi Moynahan-Foreman. Show all posts

Thursday, July 10, 2014

Digressions: Clotheslines and Laundry Art

I love doing laundry. I love the sounds of the washing machine; the smells of laundry soap and bleach; the touch and feel of clothes fresh from the dryer; the action of folding clothes into neat little packages and the sight of clothes hanging on a clothesline undulating in the breeze. I love ironing too.

I am told that most women deeply dislike all of the above (women’s diaries going back centuries are filled with complaints about their laundry load) and so I am not sure where my love for it comes from?

Perhaps it comes from watching my grandmother Moynahan in the dark, damp basement on Marentette Avenue washing her handsewn clothes in her wringer/washer? Or perhaps it comes from memories of my mother ironing in the dining room on Sussex Drive on Saturday mornings and the smells and sounds of starch and steam?

Who knows?

I am not alone. Other artists, poets, photographers and painters, appreciate and feature the subject of "clotheslines and laundry" in their work. I created the journal page below to have some fun with the subject of "laundry".

Art journal page "Laundry"
Artist: Cindi Moynahan-Foreman
Central to the feminist analysis of laundry and clotheslines is the whole subject of women's unpaid work in the home.

Laundry and clotheslines are also:
  • places where women gather and talk together
  • places where the most private things are put quietly on display
  • reasons to linger outdoors in the sun quietly witnessing nature, in awareness and synchronicity with the weather
 Jeffrey T. Larson explored the theme of clotheslines beautifully (below) and what strikes me most about his work is how the woman is never fully seen, always obscured and half hidden. Such an interesting metaphor.

Artist: Jeffrey T. Larson
"Feminist Art and the Maternal" by Andrea Liss tells the story about the  Mother Art Laundry Works

Mother Arts Laundry Works was formed in 1973 to address the issue of artists as mothers.

In 1977, Mother Art created a series of art shows and performances in laundromats throughout Los Angeles, from Venice to Echo Park. Helen Million recalls, “The whole process of water and cleansing is such a spiritual experience in many cultures. We wanted to elevate the idea of washing from the mundane into the public sphere.”  Mother Art formally stopped working together in 1986.

Stills from the Mother Art trailer
I recently came across this house on my morning walk in Centretown with Lexington and just knew I needed to paint it.

Backyard in Centretown
Centretown Laundry (water colour)
Artist: Cindi Moynahan-Foreman

Clotheslines were common in Manhattan 30 years ago. Not any more (*). I wonder what Allen Ginsberg would have said about that?

Artist: Allen Ginsberg

Allen Ginsberg, “I sat for decades at morning breakfast tea looking out my kitchen window, one day recognized my own world the familiar background, a giant wet brick-walled undersea Atlantis garden, waving ailanthus (“stinkweed”) “Trees of Heaven,” with chimney pots along Avenue A topped by Stuyvesant Town apartments’ upper floors two blocks distant on 14th Street, I focus’d on the raindrops along the clothesline. “Things are symbols of themselves,” said Chögyam Trungpa Rinpoche. New York City August 18, 1984,” (1984), Gelatin silver print, printed 1984–97, 16 1/2 x 11 in. (42 x 28 cm)


Clothesline and Laundry Links of Interest

Monday, July 7, 2014

To be an artist...

My mother and father, 
my brother and sister, 
my husband, daughter and son
always encourage(d) me and support(ed) my need to create art. 

Portrait of me in 1968
Artist: G. Williams
This encouragement and support means a lot.
It fuels my fire.

Detail: Watercolour: art journal page "Eleven"
Artist: Cindi Moynahan-Foreman
 For this, I am truly blessed and eternally grateful.

Full view (text omitted) of art journal page "Eleven"
Artist: Cindi Moynahan-Foreman

Artist Quotes
The following inspiring quotes about being an artist were found on the web. In particular, many were found on Robert Genn's Painter's Keys Art Quotes pages.

  • To be an artist is to believe in life. (Henry Moore
  • Inside you there's an artist you don't know about... (Rumi)
  • We didn't choose to create art - it chose us. (Author unknown)
  • Even if you are not an artist nor ever expect to become an artist, if you can learn to see like an artist, your life will forever change. (Tommy Thompson)
  • We are painters first, artists always, and as such not bound by anything but our innate desire to create. (Mary Todd Beam)
  • The world calls them its singers and poets and artists and storytellers; but they are just people who have never forgotten the way to fairyland. (Lucy Maud Montgomery)
  • I am an artist who, for forty years / Has stood at the lake edge / Throwing stones in the lake, / Sometimes, very faintly, / I hear a splash. (Maxwell Bates)
  •  It is the consistent act of painting or drawing that creates an artist - the painting is only the bi-product. (Carol Cottone-Kolthoff)
  • Artists are the people among us who realize creation didn't stop on the sixth day. (Joel Peter Witkin)
  • The secret to so many artists living so long is that every painting is a new adventure. So, you see, they're always looking ahead to something new and exciting. The secret is not to look back. (Norman Rockwell)
  • Artists are those who have instinctively known the concept of Plato's shadow on the cave wall, and they're trying to look past the shadows to find the object standing between it and the light. (Cyd Madsen)
Quote (Unknown)
1968 Portrait framed
Artist: G. Williams

Sunday, July 6, 2014

Linocut Printing: "En Pointe"


I spent the weekend working on a new linocut entitled "En Pointe". It took some time making a register that I felt would work. This one is made from a dollar store picture frame and I used popsicle "shims". I really like the way it worked and will use it again in the future for other small prints.

Homemade register using picture frame and popsicle sticks.

I used Speedball water soluble printing inks: yellow (3405), dark yellow (3412), brown (3806) and black (3400).

Speedball Block Printing Inks

In between pulls, I hung the prints on a dollar store drying rack that worked really well. Each rack holds twenty prints.

Drying rack: first pull - yellow

Drying rack: third pull - brown

I was quite ambitious initially. I had cut 100 pieces of Subi (white) block printing paper. My actual number of prints was quickly reduced to 24 (4 proof/testers; 10 discards; 10 final prints)

Next time I print, I would like to try Hosho paper or  Curry's recommended Stonehenge paper.

The final product was ten numbered and signed prints (only seven remaining) which will be available in my Etsy shop. The print below was placed in a pre-cut 8x10 (4.5x6.5) seashell/black double mat by Logan Graphics, Inc.

Linocut print: "En Pointe" (10)
Artist Cynthia Moynahan- Foreman


Links to printmaking supplies:

Friday, June 13, 2014

A Father's Day Blessing

"Moynahan Men" study
Artist: Cindi Moynahan-Foreman
My heart is filled with such gratitude
to have these two wonderful men in my life.

 Bless the Space Between Us


There is a quiet light that shines in every heart. 
It draws no attention to itself,
though it is always secretly there. 

It is what illuminates our minds to see beauty, 
our desire to seek possibility,
and our hearts to love life.

Without this subtle quickening 
our days would be empty and wearisome,
and no horizon would ever awaken our longing. 

Our passion for life is quietly sustained 
from somewhere in us 
that is welded to the energy and excitement of life. 

This shy inner light is what enables us
 to recognize and receive our very presence here as blessing. 

We enter the world as strangers 
who all at once become heirs 
to a harvest of memory,spirit,and dream
 that has long preceded us 
and will now enfold, nourish, and sustain us. 

The gift of the world is our first blessing. 

The opening paragraph of the book 
"To Bless the Space Between Us: A Book of Blessings" 
 John O'Donohue

Monday, June 2, 2014

In the Moment and in Retrospect

Watercolor of Keenan at La pointe à David 
Artist: Cindi Moynahan-Foreman
'We write to taste life twice
in the moment and in retrospect.'
Anais Nin ~

I believe that we could take this famous quote and rewrite it to say, "We paint to taste life twice, in the moment and in retrospect"

Making art about the folks I love is so therapeutic for me. The process involves me sitting silently, and regarding them with fresh eyes. The less words floating around me and in my head the better. Intrusive thoughts are unwelcomed and forced to leave by shifting my thoughts back to the reverence and love that inspired me to choose the subject in the first place.

Feelings of love, joy and happiness flow through my eyes, through my heart, through my hands and pour on to the page where I enjoy them twice: in the moment and again in retrospect.

Tuesday, May 20, 2014

Artist "Selfies"

The mirror, above all, the mirror is our teacher. 
~Leonardo da Vinci ~

Anna Feldhusen self-portrait 1899
From the Art Gallery of Ontario:

"Since the invention of the glass mirror in the 1500s artists have been scrutinizing and recording their own reflections. In self-portraiture the artist is both maker and model, and the distinctions between observer and observed break down. Like an autobiography, which can range from the informative to the fabricated, a self-portrait provides clues that reveal the artist’s identity (or identities). Through pose, facial expression, setting, costume, and stylistic presentation the artist “signs” his or her work."

 Nearly every artist, in every medium from painters to sculptors has attempted this exploration of self. I decided to review my art journals and note my numerous self-portraits over the years:

Artist: Cindi Moynahan-Foreman

Of course there are many many more. What clues do my self-portraits reveal about me?

I found such a variety in my self-portraits: with and without my glasses, happy, sad, confused, contemplative, alone, with my beloved, with my dog and in collages like the one for my 55th birthday (called "double nickels") or the timeline piece with the quote "You never know when you're making a memory" (from a Rickie Lee Jones song).

I love finding and reading about other artists self-portraits.

In the Guardian, the book review for James Hall's history of self-portraits offers this clarification between “selfies" (which the Oxford dictionary named word of the year for 2013) and artist’s self-portraits which he explains are “exercises in self-appraisal, not self-celebrations”.

I like that distinction.

Artist: Cindi Moynahan-Foreman


Artist: Cindi Moynahan-Foreman


Interesting links on the subject of self-portraits:




Sunday, May 18, 2014

Strathmore Mixed Media Art Journal

I have used many art journals over the years. Various manufactures and various sizes, coiled and bound, hard and soft cover.

My complete disappointment with my last art journal resulted in abandonment. I really do not like abandoning art journals because they are (for me) a type of diary. Looking back over old art journals has the same effect as watching old home movies. I experience a great deal of nostalgic joy

Suffice to say that art journals are important to me. That is why I am incredibly happy to have found the Strathmore Mixed Media 500 series:

Dorothy Parker inspired the sketch on the page above: "Inscription For The Ceiling Of A Bedroom"
Artist: Cindi Moynahan-Foreman

This particular journal is hard to find both in store and online. I know. I have tried. Therefore I was happy to find a few on the shelves at Wallack's this past weekend.

Wil Freeborn has been testing out some new Stillman and Birn sketchbooks. I look forward to his reviews.

Sunday, May 11, 2014

Kitty

Sketch: 6x6 Acrylic on Canvas Paper
Artist: Cindi Moynahan-Foreman

Wednesday, May 7, 2014

Encaustic: "Instructions For Living a Life"

Encaustic (6x6) "Pay Attention"
Artist: Cindi Moynahan-Foreman

Encaustic is so delightful. The smell of the bees wax heating, layer after layer and the endless possibilities for "additions" and "subtractions".

This piece measures 6 x 6 on encaustic board. It is mixed media with words from Mary Oliver. Mary Oliver's poetry inspires me. My artwork frequently starts directly from a place of having been moved deeply by her words. Sometimes the entire poem. Sometimes a single line.
Mixed Media "Orange"
Artist: Cindi Moynahan-Foreman


 "Something about the colour orange is so uplifting and makes me so happy. Orange invokes energy and cheerfulness within me. I created this mixed media piece on a small piece of watercolour paper inserted into my art journal but I find every time I revisit the page in my journal it rejuvenates my spirits. That is why I am sharing it here. In the hopes that it will have the same effect on others."

A limited edition photographic print (10 copies only) is available at my Etsy shop "Moynahan Studio"

The original mixed media (done in pencil, watercolour and pastels) is called "Oranges".

"Oranges" is printed on quality Kodak paper. The image itself measures 6"x8” and there is an additional white margin. The print is numbered and signed. (Sealed in a protective clear art sleeve with sturdy backing for shipping.)